A young Aretha Franklin captivates her community with the song "Respect" during the height of the Civil Rights Movement, in this striking picture book biography that will embolden today's young readers to sing their own truth. When Aretha Franklin sang, she didn't just sing...she sparked a movement. As a performer and a civil rights activist, the Queen of Soul used her voice to uplift freedom fighters and the Black community during the height of the 1960s Civil Rights Movement. Her song "Respect" was an anthem of identity, survival, and joy. It gave hope to people trying to make change. And when Aretha sang, the world sang along. With Hanif Abdurraqib's poetic voice and Ashley Evans's dynamic illustrations, Sing, Aretha, Sing! demonstrates how one brave voice can give new power to a nation, and how the legacy of Aretha Franklin lives on in a world still fighting for freedom.

A poetry collection where personal is inevitably political and ecological, Motherfield is a poet's insistence on self-determination in authoritarian, patriarchal Belarus. Julia Cimafiejeva was born in an area of rural Belarus that became a Chernobyl zone when she was a child. The book opens with a poet's diary that records the course of violence unfolding in Belarus since the 2020 presidential election. It paints an intimate portrait of the poet's struggle with fear, despair, and guilt as she goes to protests, escapes police, longs for readership, learns about the detention of family and friends, and ultimately chooses life in exile. But can she really escape the contaminated farmlands of her youth and her impure Belarusian mother tongue? Can she really escape the radiation of her motherfield? This is the first collection of Julia Cimafiejeva's poetry in English, prepared by a team of co-translators and poets Valzhyna Mort and Hanif Abdurraqib.

A New York Times Best Seller 2019 National Book Award Longlist, Nonfiction 2019 Kirkus Book Prize Finalist, Nonfiction A February IndieNext Pick Named A Most Anticipated Book of 2019 by Buzzfeed, Nylon, The A. V. Club, CBC Books, and The Rumpus, and a Winter's Most Anticipated Book by Vanity Fair and The Week Starred Reviews: Kirkus and Booklist "Warm, immediate and intensely personal."-New York Times How does one pay homage to A Tribe Called Quest? The seminal rap group brought jazz into the genre, resurrecting timeless rhythms to create masterpieces such as The Low End Theory and Midnight Marauders. Seventeen years after their last album, they resurrected themselves with an intense, socially conscious record, We Got It from Here . . . Thank You 4 Your Service, which arrived when fans needed it most, in the aftermath of the 2016 election. Poet and essayist Hanif Abdurraqib digs into the group's history and draws from his own experience to reflect on how its distinctive sound resonated among fans like himself. The result is as ambitious and genre-bending as the rap group itself. Abdurraqib traces the Tribe's creative career, from their early days as part of the Afrocentric rap collective known as the Native Tongues, through their first three classic albums, to their eventual breakup and long hiatus. Their work is placed in the context of the broader rap landscape of the 1990s, one upended by sampling laws that forced a reinvention in production methods, the East Coast-West Coast rivalry that threatened to destroy the genre, and some record labels' shift from focusing on groups to individual MCs. Throughout the narrative Abdurraqib connects the music and cultural history to their street-level impact. Whether he's remembering The Source magazine cover announcing the Tribe's 1998 breakup or writing personal letters to the group after bandmate Phife Dawg's death, Abdurraqib seeks the deeper truths of A Tribe Called Quest; truths that-like the low end, the bass-are not simply heard in the head, but felt in the chest.

In 1988, when Robert Clark was in his early twenties, he traveled to Odessa, Texas, to create a visual element for a book about a high school football team. That book was Buzz Bissinger’s Friday Night Lights—the chronicle of a season with the Permian Panthers, one of the state’s winningest teams of all time. About twenty photos appeared in Bissinger’s book, but Clark shot 137 rolls of film during his time with the Panthers. Friday Night Lives collects dozens of the never-before-seen images, taking us back to the team, the city, and that dramatic season. The archival photos, published here on the thirtieth anniversary of the publication of Bissinger's bestseller, capture intimate moments among the players and their families and classmates, as well as the wider world of Odessa. Now the players have grown up. Friday Night Lives also includes Clark’s portraits of key Panthers figures at a later age, documenting complex lives of beauty and struggle. Boobie Miles, the star fullback sidelined by injury, is here, along with Coach Gaines and others. In his heartfelt foreword, best-selling author Hanif Abdurraqib describes how Clark's photos rehumanize the players, reminding us of the truth of their young lives before their stories became nationally known in print, film, and television.

**As featured on Barack Obama's Summer 2022 Reading List** Winner of the Gordon Burn Prize Winner of the 2022 Andrew Carnegie Medal for Excellence in Nonfiction Finalist for the National Book Critics Circle Award Finalist for the Pen/Diamonstein-Spievogel Award for the Art of the Essay Shortlisted for the National Book Award 'Gorgeous' - Brit Bennett 'Pure genius' - Jacqueline Woodson 'One of the most dynamic books I have ever read' - Clint Smith At the March on Washington, Josephine Baker reflected on her life and her legacy. She had spent decades as one of the most successful entertainers in the world, but, she told the crowd, "I was a devil in other countries, and I was a little devil in America, too". Inspired by these words, Hanif Abdurraqib has written a stirring meditation on Black performance in the modern age, in which culture, history and his own lived experience collide. With sharp insight, humour and heart, Abdurraqib explores a sequence of iconic and intimate performances that take him from mid-century Paris to the moon -- and back down again, to a cramped living room in Columbus, Ohio. Each one, he shows, has layers of resonance across Black and white cultures, the politics of American empire, and his own personal history of love and grief -- whether it's the twenty-seven seconds of 'Gimme Shelter' in which Merry Clayton sings, or the magnificent hours of Aretha Franklin's homegoing; Beyonce's Super Bowl show or a schoolyard fistfight; Dave Chapelle's skits or a game of spades among friends.

For Chicago's Oak Park and River Forest High School's Spoken Word Club, there is one phrase that reigns supreme: Respect the Mic. It's been the club's call to arms since its inception in 1999. As its founder Peter Kahn says, 'It's a call of pride and history and tradition and hope.' This vivid collection of poetry and prose -- curated by award-winning and bestselling poets Hanif Abdurraqib, Franny Choi, Peter Kahn, and Dan 'Sully' Sullivan -- illuminates just that, uplifting the incredible legacy this community has cultivated. Among the dozens of current students and alumni, Respect the Mic features work by NBA champion Iman Shumpert, National Youth Poet Laureate Kara Jackson, National Youth Poet Laureate Kara Jackson, National Student Poet Natalie Richardson, comedian Langston Kerman, and more.